The exhibition "Window(s) on the Courtyard," from February 8 to 24 at the Porte B gallery, offers a visual dialogue between six artists with diverse practices, ranging from painting and photography to sculpture, installation, and drawing. By exploring the links between the perception of the external world and intimate landscapes, it proposes a poetic journey, leaving room for interpretations free in meaning and representation.

Daniel Bourgais uses photogrammetry to explore our relationship with the environment, reducing landscapes to their essence and inviting the viewer to shape their own perception. His work is echoed in the exhibition space by that of Marion Flament, who uses glazed earthenware to capture moments of everyday life, playing with trompe-l'œil and illusion.

Sandra Matamoros's "Transfuge" series merges past and future in the present, exploring humanity's relationship with nature. Solène Kerlo, for her part, offers works with a mineral palette, exploring the quest for human origins. An initiatory journey, a window into the self, echoed in the works of Béatrice Bissara. She questions the evolution of humanity's relationship with the world in the Anthropocene era, giving a meditative value to the pictorial gesture in her "Horizons" series. Finally, Tiffany Bouelle's abstract canvases from her "Seinaru Mori" series immerse us in her intimate world, where the act of painting becomes an irresistible force.

Windows (half-)open onto inner worlds, like so many points of convergence that invite the visitor to participate in a conversation around sensory perception, to contemplate the complexity of the landscape and to immerse themselves in a universe where the boundaries between individual visions fade to create an intimate and universal dialogue.