The exhibition “Fenêtre(s) sur cour”, from February 8 to 24 at the Porte B gallery, offers a visual dialogue between six artists with multiple practices, from painting to photography, sculpture, installation and drawing. By exploring the links between the perception of the outside world and intimate landscapes, it offers a poetic stroll, leaving room for interpretations free of meaning and figuration.

Daniel Bourgais uses photogrammetry to question the relationship to the environment, reducing landscapes to their essence, inviting the viewer to shape his own perception. In the exhibition space, he is matched by the work of Marion Flament, who uses glazed earthenware to capture moments of everyday life, playing with trompe-l'oeil and pretense.

Sandra Matamoros's "Transfuge" series merges past and future in the present, exploring man's relationship with nature. Solène Kerlo offers works with a mineral palette, exploring the quest for man's origins. An initiatory journey, a window on oneself, which is also echoed in the works of Béatrice Bissara. She questions the evolution of the man-world relationship in the Anthropocene era, giving a meditative value to the pictorial gesture in her "Horizons" series. Finally, Tiffany Bouelle's abstract canvases, from her "Seinaru Mori" series, immerse us in her intimate world, where the gesture of painting becomes an irresistible force.

Windows (half-)open onto inner worlds, like so many points of convergence that invite the visitor to participate in a conversation around sensory perception, to contemplate the complexity of the landscape and to immerse themselves in a universe where the boundaries between individual visions fade to create an intimate and universal dialogue.